6.以____为代表的绘画拟古思想，在清初画坛上是占统治地位的正统艺术观。

A.四僧                                                           B.四王    

C.浙派                                                           D.吴派

7.“将无项，女无肩”、“坐看五，立量七”是唐五代____中绘画经验的总结。

A.《笔法记》                                                B.《画断》    

C.《林泉高致》                                             D.《画论》

8.将画竹过程分为“眼中之竹”、“胸中之竹”、“手中之竹”的画家是

A.文同                                                           B.郑燮    

C.苏轼                                                           D.石涛

9.南宗画系宗主是

A.苏轼                                                           B.米芾    

C.王维                                                           D.董源

10.提出画山水具有三备：“理”、“趣”、“韵”的元代画家是

A.赵孟頫                                                       B.李衎    

C.黄公望                                                       D.倪瓒

11.是中国也是世界上第一篇正式的山水画论作者是

A.倪瓒                                                           B.顾恺之 

C.宗炳                                                           D.王微

12.著有《虹庐画谈》的是

A.徐渭                                                           B.黄宾虹 

C.王履                                                           D.石涛

13.明代提出山水画南北宗论的是____，这是中国绘画史上第一次提出的关于画派的理论。

A.王绂                                                           B.董其昌 

C.王履                                                           D.郑燮

14.“笔墨本无情，不可使运用笔墨者无情。作画在摄情，不可使鉴画者不生情。”是清代画家____所提出。

A.恽格                                                           B.朱耷    

C.石涛                                                           D.金农

15.康有为变法论主要内容是

A.中西合                                                       B.打倒王画

C.美术革命                                                    D.写意为主而不取形神